Jisel Soleil Ayon has never been a waitress and never baked a pie. But the star of “Waitress,” coming to Hancher Auditorium in Iowa City on Oct. 22 and 23, plans on baking every pie in the musical’s official cookbook when the Los Angeles-based actress, 22, is home for the holidays.


The University of Iowa’s Department of Dance is back and ready to perform live again for this year’s Dance Gala.

Hancher Auditorium canceled one of its performances last week, as the theater — under University of Iowa COVID-19 guidelines — was unable to meet the Actors’ Equity Association’s mask requirement for venues where entertainers perform.

The continuing pandemic has led to two upcoming events at Hancher Auditorium — Oct. 27’s Boston Pops and Nov. 5’s performance by clown and comedian Bill Irwin — to be canceled.

Renteria is less than two months away from the release of their first memoir, a frank recounting of their life growing up in West Liberty, where they were confronted with racism, faced familial challenges, and found dance as a creative outlet.

The 30 stone fish that surround the Hancher Auditorium are officially being introduced at WorldCanvass – Wellspring: The Power of Partnerships on Friday. The fish are part of the permanent art installation “Wellspring,” which made its debut in September 2020.

Last summer, we were delighted to add a permanent art installation made up of 30 stone fish immediately outside of the facility. Hancher commissioned — with the generous support of David and Noreen Revier — Santa Fe artist Colette Hosmer to create the fish.

The University of Iowa Dance Department had to relocate operations from Halsey Hall to Hancher Auditorium, Hancher went months without hosting an event in-person, and the music department had to be innovative with virtual music recordings.

The University of Iowa Dance Department and Quixotic hosts Hancher Illuminated. This event, which highlighted UI performers, was held at Hancher Auditorium on Friday, Aug. 27, 2021.

The statue was first designed back in summer 2018. According to Zahn, he had wanted to use both abstract and realistic elements in this piece in the hopes of creating something “dynamic, thought provoking, and interesting to look at from all angles.”